In the early 1900s, August Halm was widely acknowledged to be one of the most insightful and influential authors of his day on a wide range of musical topics. Yet, in the eighty years since his untimely death at age 59 (in 1929), Halm-the author of six widely read books and over 100 essays-has received much less attention than such contemporaries as Hugo Riemann, Heinrich Schenker, Ernst Kurth, and Arnold Schoenberg. Lee Rothfarb's engaging and deeply researched study provides the missing images that comprise the multifaceted life of this astute musical sage.
August Halm: A Critical and Creative Life in Music begins by setting the cultural stage and examining Halm's life with rich details from unpublished personal letters, diaries, notebooks, and lecture notes. Further chapters explore Halm's notion of musical logic and his proposal that the evolution of compositional technique had, by his day, culminated in three successive musical "cultures" epitomized in Bach (fugue), Beethoven (sonata), and Bruckner (symphony). Another chapter examines, for the first time anywhere, Halm's own compositions, their motivating aesthetic premises, and their connection with late twentieth-century postmodernism. The volume closes with an assessment of Halm's significance for present-day music theory, including its branches that deal with narrativity, plot theory, embodiment, and semiotics.
Halm's subject matter and creative activities ranged widely, and he aimed at maintaining a style that would be accessible and intriguing to music amateurs and music educators at all levels. Lee Rothfarb's book-written in the same spirit-will interest not only music theorists and musicologists but also composers and classroom and private music teachers.
Lee Rothfarb is professor of music at the University of California, Santa Barbara. His previous publications include Ernst Kurth as Theorist and Analyst and Ernst Kurth: Selected Writings.
Reviews
August Halm was a central musical figure in Germany in the first three decades of the twentieth century, a musician exceptionally influential in his own time, but less well known today. Lee Rothfarb portrays Halm as a creative thinker who championed ideas that have turned out to be of critical importance in our own day, from analysis-based music theory to the humanistic concerns of contemporary musicology. Halm's life, which took place mostly in villages and smaller cities, offers a valuable window into the German musical life of the time.-- Patrick McCreless, Yale University
With this remarkable personal and intellectual biography, Lee Rothfarb continues work begun in his volumes on Ernst Kurth (Halm's best-known student). August Halm was a music educator, composer, and critic as well as a music theorist, and, in the course of studying his work closely, Rothfarb also constructs for us a richer, more detailed, and more nuanced view of German music-intellectual life and practice in the early twentieth century. Meticulous and commanding in its scholarship and beholden to no current mythologies, this is historical writing on music theory at its best.
--David Neumeyer, Leslie Waggener Professor in the College of Fine Arts, The University of Texas at Austin
