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Building the Operatic Museum

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Focusing on the operas of Mozart, Gluck, and Rameau, Building the Operatic Museum examines the role that eighteenth-century works played in the opera houses of Paris around the turn of the twentieth century. These works, mostly neglected during the nineteenth century, became the main exhibits in what William Gibbons calls the Operatic Museum -- a physical and conceptual space in which great masterworks from the past and present could, like works of visual art in the Louvre, entertain audiences while educating them in their own history and national identity. Drawing on the fields of musicology, museum studies, art history, and literature, Gibbons explores how this "museum" transformed Parisian musical theater into a place of cultural memory, dedicated to the display of French musical greatness.

William Gibbons is Assistant Professor of Musicology at Texas Christian University.

Reviews

Gibbons's well-written study of the productions of eighteenth-century operas in late nineteenth-century Paris considers broad issues of edition-making, nationalist interpretation, allegorical readings, and value judgment. An important addition to critical reflections on canon building. --Steven Huebner, McGill University

Details

First Published: 30 Jun 2013
13 Digit ISBN: 9781580464000
Pages: 280
Size: 9 x 6
Binding: Hardback
Imprint: University of Rochester Press
Series: Eastman Studies in Music
Subject: Music
BIC Class: AV

Details updated on 20 Aug 2014

Contents

  • 1  Introduction
  • 2  Museums
  • 3  Restorations
  • 4  (De)Translations
  • 5  Transitions
  • 6  Resurrections
  • 7  Tragedies
  • 8  Symbols
  • 9  Monuments
  • 10  Quarrels
  • 11  Archaeologies
  • 12  Notes
  • 13  Bibliography
  • 14  Index



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