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Variations on the Canon

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Charles Rosen, the pianist and man of letters, is perhaps the single most influential writer on music of the past half-century. While Rosen's vast range as a writer and performer is encyclopedic, it has focused particularly on the living "canonical" repertory extending from Bach to Boulez. Inspired in its liveliness and variety of critical approaches by Charles Rosen's challenging work, Variations on the Canon offers original essays by some of the world's most eminent musical scholars. Contributors address such issues as style and compositional technique, genre, influence and modeling, and reception history; develop insights afforded by close examination of compositional sketches; and consider what language and metaphors might most meaningfully convey insights into music. However diverse the modes of inquiry, each essay sheds new light on the works of those composers posterity has deemed central to the modern Western musical tradition.

Contributors: Pierre Boulez, Scott Burnham, Elliott Carter, Robert Curry, Walter Frisch, David Gable, Philip Gossett, Jeffrey Kallberg, Joseph Kerman, Richard Kramer, William Kinderman, Lewis Lockwood, Sir Charles Mackerras, Robert L. Marshall, Robert P. Morgan, Charles Rosen, Julian Rushton, David Schulenberg, László Somfai, Leo Treitler, James Webster, and Robert Winter.

Robert Curry is principal of the Conservatorium High School and honorary senior lecturer in the Centre for Medieval Studies, University of Sydney; David Gable is Assistant Professor of Music at Clark-Atlanta University; Robert L. Marshall is Louis, Frances, and Jeffrey Sachar Professor Emeritus of Music at Brandeis University.

Reviews

[Charles Rosen's] reviews show him tackling some of the major issues and names in musicology with an authority that few could muster and in a style that is compulsively readable, a combination of acid and elegance. . . . A series of essays by well-established scholars covering subject areas associated with the honoree [and] three short tributes from Pierre Boulez, Elliot Carter, and Charles Mackerras. MUSIC & LETTERS [W. Dean Sutcliffe]

When it comes to superlatives, . . . [pianist and author] Charles Rosen is the genuine article. . . . All of the essays in this fine book are insightful or informative. . . . For [Scott] Burnham, . . . Rosen's readers "are in for something special." The same can be said for readers of this book. EARLY MUSIC AMERICA [Mark Kroll]

The eminence of most contributors is matched by the eminence of the composers discussed: from Bach to Boulez and Stockhausen via Haydn, Mozart, Beethoven, Schubert, Chopin, Verdi, Brahms and Schoenberg. TIMES LITERARY SUPPLEMENT [Peter Williams]

It is difficult to imagine a more intellectually invigorating and heartfelt tribute to the man Mackerras rightly describes as "one of the truly great musical minds of our time". INTERNATIONAL PIANO [Julian Haylock]

Each of the essays . . . is on a subject that Rosen himself has written on [or music that he's recorded] with magisterial authority. . . . The final section comprises a trio of short tributes by three "big names" -- Pierre Boulez, Elliott Carter, and Charles Mackerras. . . . [It] made me keen to go back to the music and hear it again for myself, through more enlightened ears. One can't ask more from a piece of writing about music than that. AMERICAN RECORD GUIDE [Mark L. Lehman]

As fine a collection of writings on music as has been created in our time. --Maynard Solomon, author of Mozart: A Life, and Late Beethoven: Music, Thought, Imagination

It is hard to imagine a more vivid testimony to the far-reaching and enduring impact of Charles Rosen's musical thoughts, words, and deeds over the last half century than the extraordinary line-up of scholars assembled in these pages. The copious new insights these essays offer shows how much we can learn through encounters with Rosen's provocative, inspiring, and energizing writings and performances, all usefully cataloged in the extensive discography and bibliography. --Joseph Auner, Tufts University

Details

First Published: 15 Oct 2008
13 Digit ISBN: 9781580462853
Pages: 395
Size: 9 x 6
Binding: Hardback
Imprint: University of Rochester Press
Series: Eastman Studies in Music
Subject: Music
BIC Class: AV

Details updated on 23 Nov 2014

Contents

  • 1  Fugue and Its Discontents
  • 2  Fugues, Form, and Fingering: Sonata Style in Bach's Preludes and Fugues
  • 3  Notational Irregularities as Attributes of a New Style: The Case of Haydn's "Sun" Quartet in F Minor, Op. 20, no. 5
  • 4  The Fugal Moment: On a Few Bars in Mozart's Quintet in C Major, K. 515
  • 5  A Tale of Two Quintets: Mozart's K. 452 and Beethoven's Opus 16
  • 6  Vestas Feuer: Beethoven on the Path to Leonore
  • 7  Sonority and Structure: Observations on Beethoven's Early and Middle-Period Piano Compositions
  • 8  Recomposing the Grosse Fuge: Beethoven and Opus 134
  • 9  Schubert, the Tarantella, and the Quartettsatz, D. 703
  • 10  On the Scherzando Nocturne
  • 11  Chopin's Modular Forms
  • 12  The Hot and the Cold: Verdi Writes to Antonio Somma about Re Lear
  • 13  The Ironic German: Schoenberg and the Serenade, Op. 24
  • 14  Words for the Surface: Boulez, Stockhausen, and "Allover" Painting
  • 15  Rosen's Modernist Haydn
  • 16  Facile Metaphors, Hidden Gaps, Short Circuits: Should We Adore Adorno?
  • 17  The Music of a Classical Style
  • 18  Montaigne hors de son propos
  • 19  Tribute: Une culture vraiment intimidante
  • 20  Tribute: Charles Rosen for His Eightieth Birthday
  • 21  Tribute: Charles Rosen: A Personal Appreciation by a Contemporary
  • 22  Appendix 1: A Discography of the Recordings of Charles Rosen
  • 23  Appendix 2: A Bibliography of the Writings of Charles Rosen



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