Few bodies of Western music are as widely respected, studied, and emulated as the fugues of Johann Sebastian Bach. Despite the esteem which Bach's contributions brought to the genre, however, the origin and early history of the fugue remain poorly understood. Theories of Fugue from the Age of Josquin to the Age of Bach addresses both the history and methodology of the pre-Bach fugue (from roughly 1500 to 1700), and, of greatest significance to the literature, it seeks to present a way out of the methodological dilemma of uncertainty which has plagued previous scholarly attempts by considering what musicians of the time had to say about the fugue: what it was, what it was not, how important it was, and where and how a composer should (or shouldn't) use it.
Paul Mark Walker is director of the Early Music Ensemble at the University of Virginia and an expert on the history of the fugue.
Reviews
Winner of the 2002 William H. Scheide Prize, from the American Bach Society, for a publication of exceptional merit on Bach or figures in his circle.Significant contribution to our better understanding of the history of fugues. --BACH BIBLIOGRAPHY
An important addition to the literature on the history of musical forms. --CHOICE
This is a fine and valuable book, encyclopaedic in its coverage of the subject, and the only treatment (in any language) of the entire field. It is an extraordinary achievement. --MUSIC & LETTERS
Lucidly and engagingly written...this book is an outstanding contribution to scholarship and a definitive work, indispensable for the historical study of fugue. --THE AMERICAN ORGANIST
Anyone interested in the fascinating topic of the emergence of the Baroque will find this book a wlecome addition to the overall picture of that important period of musical history. --AMERICAN RECORDER
