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György Kurtág
Three Interviews and Ligeti Homages
Bálint András Varga

György Kurtág (b. 1926) is widely regarded as one of the foremost composers in the second half of the twentieth century and the early twenty-first. Born in Romania, he received crucial training in Paris from Olivier Messiaen and Marianne Stein. He was also shaped by his broadening contact there with the music of Webern and such challenging literary works as the plays of Samuel Beckett. After many years in Hungary, teaching at the Budapest Academy of Music, Kurtág settled near Bordeaux with his wife Márta. The two regularly perform duo-recitals of his music. In 2006, his ... concertante ... (2003, for violin, viola and orchestra) won the coveted Grawemeyer Award for Music Composition.
This unique set of interviews with Kurtág, alone or with his wife, gives a fascinating insight into the composer's personality, which is marked by shyness but also an unquenchable thirst for impressions of every kind (artistic, natural and human). The two speak with disarming openness about their lives -- the background against which masterpieces like Messages of the Late Miss R. V. Troussova (1976-80, for soprano and chamber orchestra) or Stele (1994, for orchestra) were written.
The analysis of certain of Kurtág's works, especially of ... concertante ..., shows the way that his mind works: no system, no dogma, no formulae -- rather, basic human emotions expressed through means that speak directly to the listener's innermost feelings.

The Hungarian music publisher Bálint András Varga has spent nearly forty years working for and with composers. He has published several books, including extensive interviews with Lutoslawski, Berio, and Xenakis.

 

DETAILS

15 b/w illustrations
20 line illustrations

Size: 9 x 6 in
ISBN: 9781580463287
Binding: Hardback
First published: 15/Oct/2009
Price: 75.00 USD / 40.00 GBP Imprint: University of Rochester Press
Series: Eastman Studies in Music
Subject: Music

BIC class: AVH

STATUS: Available
Details updated on 03/02/2010
 
Contents
   Introduction: A Portrait Sketch of György Kurtág in Three Sittings
1   Three Questions to György Kurtág (1982-1985)
2   The Three Questions Again (1996)
3   Key Words (2007-2008)
4   Mementos of a Friendship: György Kurtág on György Ligeti
5   A Brief Biography of György Kurtág
6   Personalia
7   List of Works
8   Discography
9   Notes
10   Bibliography
11   Index
 

Reviews
Like many of Kurtág's finest pieces, [this book ] is short but densely packed. In three extended interviews with Varga, the composer provides piercing insights into a vast range of music and addresses his own work with startling clarity, candor, and humility. He also delivers three tributes to his longtime friend György Ligeti, revealing more of Ligeti's psychology and creativity than any commentator in print.
--THE NEW YORKER[Alex Ross] Read the full review at http://www.newyorker.com/online/blogs/alexross/2009/10/gyorgy-kurtag.html

Kurtág is a very shy volcano. He is either silent or he erupts. We have been seeing each other for fifty years, privately or professionally, but it is thanks to this book that I have come to know him properly. He never or hardly ever gives interviews. What Bálint András Varga has brought off here is a veritable miracle. No one else could have done it. This book is proof of Kurtág's trust in and appreciation of him.
-- Peter Eötvös, noted Hungarian conductor and composer

An important introduction to the music and the personality of this unique composer.
-- Pierre Boulez

Provides vivid insight into composer György Kurtág's creative genius. The special perspective that Bálint Varga brings is incomparably sensitive; the cultural roots he shares with Kurtág along with his vast knowledge of music, history, and visual and literary arts offer a brilliant foundation for Kurtág's ideas. Moreover, as former head of promotion for Universal Edition in Vienna, Varga writes with profound awareness of the work of Kurtág's contemporaries. A uniquely sensitive look at Kurtág's extraordinary work, character, and personality. -- Kent Nagano, general music director of the Bavarian State Opera and Orchestra and music director of the Montreal Symphony Orchestra

Kurtág is one of the great composers of our time, only to be compared to Webern. Twenty years from now, enlightened audiences will love his music as much as Schubert's. It was high time that we learn more about him and his music. Bálint Varga, by his unique knowledge as well as love for Kurtág's personality and music, may be the best qualified author we could wish for this book.
-- Michael Gielen, renowned conductor and composer


 

 

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